比丘尼恒持:
朗尼(前比丘尼恒隱)在西雅圖先認識易校長,她比我們都早來佛教講堂,因為她一直聽易校長談上人,就覺得應該親自南下來見上人。她那時自己承認是「嬉皮」,有很多壞習氣,不願在大學學中文,覺得太單調
,想找個師傅學中文。因此她就去三藩市,帶了她的吉他,頭上紮了帶子,一副嬉皮裝束,找到了易校長給她的地址;她看了一眼那個門,就病了。
她於是坐飛機回西雅圖,一個月後情況好點再回來。來時,她上到第四層樓,踏每一個階梯都有聲音。結果花了她半個小時才上到四樓,因為她不要樓板出聲音,不要上面的人知道她來。她進去後,上人給她喝了杯茶,談了一談,她就走了。
從那天起,她的壞習氣,不可以說是百分之百,但可以說百分之九十幾都扔掉了,不再去做那些事了。後來她要進佛教講堂去學習,可是不懂中文,所以上人講話時她不知道講的什麼。但她知道上人講的,正是她所要知道的,並且可以幫助她,所以她很快把中文學會了,後來就出家了。
在這裏我補充幾句,那時候她下一步就是坐飛機去臺灣受戒。但是因為我們只兩個女眾上班,另外那三個人(男眾)沒上班。我們不知道上人的計劃是要用我們兩個上班所賺的錢
,去買我們五個人去臺灣的飛機票,所以我們不能太快就辭職。
可是要出家(到臺灣去)受戒,必須提早申請,要填申請表,要相片
。那時我們還帶髮,上人說,「不要緊,妳們可以戴天主教修女所戴的帽子,就可以的。」上人說,「臺灣不會知道,以為佛教是有個新樣子。」所以我們就那樣去照了相,大約上飛機前一天才剃的髮。所以我說妳們很幸運,可以帶髮修行兩年,再出家做沙彌尼,我們比丘尼都要保護妳們;過兩年才受戒為比丘尼。當時開頭難
,真的!
後來我們去臺灣,也很好玩的,在臺灣他們給我們很特別的房子,很高很大的床。如果我們去了兩百個出家女眾,大概會把我們吃掉,他們很好奇。那時在臺灣沒有美國人,尤其是光頭的女眾,所以我們個別住,那床很大很高。我大概那時脾氣也不好,所以我不要那床,就坐著睡。朗尼說:「妳怎麼可以坐著睡?」但她自己也開始坐,有時早上起身時,也還是坐著,但是中間怎麼樣,她沒說。
回來後,在佛教講堂第四層樓只有冷水,一個小小的廚房,小小的廁所。在那邊我們幾個人就開始翻譯經典,因為上人最大的一個理想,是要把經典翻譯成英文。那時不像現在,那時只用打字機,還不是電動的,用複寫紙。她(朗尼)說自己是沒什麼教育的女眾,但她學中文很快。
那時除了翻譯經典之外,她就跟(上人的)侍者鬥。鬥什麼呢?她要他們知道女眾也可以學中文,也可以翻譯經典。那時她二十歲,但有的侍者就認為讓女眾學中文,就像讓貓學中文一樣。
各位可以看到這裏供在牆壁上的一萬尊佛,在一九七0年時我在金山寺,有時候上人會打電話給我,說,「請妳到某某街去買十五包石膏,每包一百磅。」所以一共是一千五百磅
。我們有輛老爺車,她就開老爺車去那個公司買十五包,放在車上。接著上人叫她去某一個地方,一個普通的家裏;她去了門會開,她放下十五包石膏就走了,然後門又會關上。
但是有一次她去了,上人叫她進去;她進去看到很多佛像,有幾個模子,還有幾個剛出模子的佛像,還沒上漆,有的已經上好了金漆。她問上人這是誰做的?上人說:「是我做的
。」她說:「哦!」上人說:「我自己做。妳要知道,有很多事情自己做比較好;如果妳要的話,就要自己做。」上人又說:「我現在要做一萬尊。」朗尼說,這樣的事普通的人就不會去做。
她有一次把東西拿到裏邊去,就看到一些油畫,有八幅畫的是上人在打坐,每一幅都是上人在打四十二手眼中的不同的一個手眼。她問上人:「是上人畫的嗎?」「是。」朗尼就問:
「要做什用呢?」上人說:「我還沒決定,還不知道。我想我們錢也不很多,我就想把這些油畫,令它們飛到虛空那樣,大家看到會認為很值錢的,然後會給我們很多錢。」上人在開玩笑,但是那些畫像還在,或者你們還可以看到。那些畫像的確很不尋常。
待續
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BHIKSHUNI HENG CHIH:
This is Loni [formerly Bhikshuni Heng Yin]. Loni left home
with me, so when we hear people talk about the two nuns,
Loni was the other nun. She is a very intelligent woman. She
memorized the whole Shurangama Mantra in one month. Later,
because of her causes and conditions, she married after
going back to lay-life. She has a son who, she told me
yesterday, Shr Fu said was even smarter than she. So we will
see how deep his good roots are. But it's for sure that
Loni's are very deep.
LONI BAUR: Namo Amitabha! I didn't know
until yesterday that I was going to speak. Dharma Master
Chih is a very persuasive individual, and you just heard her
telling you all the wonderful things about me.
BHIKSHUNI HENG CHIH: I have to
interrupt; Loni is not telling the truth now because it's a
deal. If she talks, then there is a payoff.
LONI BAUR: I was just going to say she
omitted quite a bit of stuff that probably nobody wants to
hear about. I feel like the Dharma Protector that Shr Fu
always used to put over to the side because he was
uncomfortable sitting close to Shr Fu. I feel uncomfortable
sitting up here.
In 1965 I was studying philosophy and living in Seattle,
Washington, and I became interested in studying Eastern
philosophy and Chinese language. About that time I met some
friends. One of them was Ron Epstein, whom you probably have
heard from already, and I also met Dharma Master Chih at
that time. In those days, there were a lot of hippies and I
was one of them. So I decided that rather than staying in
Seattle and learning Chinese out of books, I would hitchhike
to California and meet this teacher that Ron Epstein had
told me about. The first time I went to Waverly Place in
Chinatown and when I (and this is true for a lot of people)
got close to meeting a really true teacher, I became really
nervous. I made it all the way to the front door of the
Buddhist Lecture Hall at 125 Waverly Street. I had a hippy
dress, a headband, a guitar, and I looked at the door and I
suddenly got extremely sick I ended up in a hospital. I took
the airplane back to Seattle. A month later, I came back
again. This time I made it in the door. However, I was so
nervous and scared that it took me about a half an hour to
get up the stairs. The stairs made the most awful noise and
I didn't want anyone to hear me coming. I took a step and I
waited and it went squeak, squeak, squeak. I got to the door
and I got inside and I met Shr Fu and had tea. Then I left,
and in one day, I won't say all of my habits, but 90% of
them were abandoned. I kept coming back, and eventually left
home. Dharma Master Chih and three other people and I all
took the airplane to Taiwan, to Hai-hui Monastery.
Dharma Master Chih and I had many adventures while we
were there. First of all, it rained every single day. It was
a 12th century temple on top of the mountain. There was no
hot water; there was no heat. We got sick and Dharma Master
Chih got into a long, I won't say argument, but discussion,
about why the bed should be removed from our room. Because
if you took the precepts, you could not sleep in a high,
broad bed. We slept on the floor. Dharma Master Chih was
always able to sleep sitting up. I always started out
sleeping sitting up and sometimes I made it so that when I
woke up, I was sitting up. But most of the time I was in
some strange position. We finally got the bed out of the
room. We went through the ordination ceremony and came back
and began translating Sutras. Shr Fu was very insistent that
his lectures and Sutras be translated into English. There
were a lot of people at the Buddhist Lecture Hall then ....
students. There were some who had degrees in Chinese and
they were extremely well educated. I wasn't. But I
translated anyway and Dharma Master Chih and I worked very
hard translating. In those days, a lot of people might not
even remember, but we were using things called the
typewriter and carbon paper and a lot of white-out and we
finally managed to translate the Sixth Patriarch Sutra that
the Ven. Master had lectured for us. My early memories of
being around the Ven. Master: I did not know Chinese, but
when I listened to him speak, I knew that what he was saying
was what I needed to know and so I learned Chinese as fast
as I possibly could. My other early memories are of arguing
with the educated members of our group that it was possible
for people like me, a twenty-year-old girl, to learn
Chinese. The opinion from some quarters was that teaching
girls Chinese was sort of like teaching Chinese to cats. I
knew that if I came up here today and started talking, we
could go very late. So we will have a translation.
BHIKSHUNI HENG CHIH: Shr Fu said it was
hard in the beginning. We were working; and we were buying
our own air tickets .... We were giving all our money to Shr
Fu and that was going to be for our air tickets to go to
Taiwan. At that time we didn't know there was this
connection. So we had to work almost up to the time to go,
so there would be enough money for the air tickets. When it
came time to apply, we still had hair and we were supposed
to be novices getting ready to take our full precepts,
right? So, Shr Fu said, "It's OK." So he had us dressed up
in a Catholic hat so our hair was all covered up. He said,
"It's OK; they won't know. They'll figure it's some new
style of Buddhism in America." So, we shaved our heads about
the night before we got on the plane.
I wanted to tell you as we sit here in this lecture hall,
if you look around I you, you'll see all the Buddhas on the
wall and in the back room .. and there are a lot of them The
other neat thing about them is, if you look at each one of
them carefully, they all have a different expression. It
must have been the in early or mid 1970s when I lived at
Gold Mountain I Monastery. Every once in a while we would
get a phone call from Shr Fu. He would tell me to drive down
to Mission Street in San Francisco (we had this station
wagon) and buy fifteen 100-pound sacks of plaster. I didn't
ask questions. I went down there and loaded them into the
station wagon and drove them out to the location they were
supposed to be, which was just an ordinary house. A door
would open, and I would I drag them inside and shut the
door. I did that for a long time, and I had I no idea why.
One day Shr Fu asked me to come inside, and I came in. It
was just an ordinary-sized garage, and it was full of these
little Buddhas. There were several molds that he had made of
different sizes, and there were Buddhas who were not painted
yet. There were Buddhas who were not sanded yet, and there
were a lot of them. I said, "Well, who's doing all this?" He
said, "I'm doing it myself. If you want to do something, you
do it yourself. That's the best way. And I said, "Oh, okay."
He said, "I'm making 10,000 of them." A few years later when
we purchased this property and we all came up here, word got
out that there were going to be 10,000 Buddhas in the Buddha
Hall. I knew where they where and I knew who made them. It's
these kinds of things that ordinary people don't do. There
was also a set of paintings that he made. One day when I
went in that garage, I saw some oil paintings. There were
several of them there and they were each a picture of Shr Fu
sitting in the Forty-two Hands and Eyes meditation, each one
represented in a different painting. They were not done;
maybe there were eight of them there. I said, " Oh, you
painted these!" "Yeah." "What are you going to do with
them?" He said, "I don't know yet. I think maybe we need to
raise some money in the future. What I might do is make them
all fly around the room, and then people would pay a lot of
money to have them." He was joking. But those pictures are
here and they are on the grounds. I think you might be able
to see them yourselves. Each one is quite extraordinary.
~ To be continued
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